![]() ![]() Natural tonality in the midrange - with all the instruments having the correct timbre.Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low.Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1971 The most Tubey Magic, without which you have almost nothing.The biggest, most immediate staging in the largest acoustic space.What the Best Sides of Rock On Have to Offer Is Not Hard to Hear ![]() This means it has a quality sorely at odds with the vast majority of audiophile pressiings, new and old, as well as practically anything recorded in the last twenty years, and it is simply this: The louder you play it the better it gets.įor that we must thank Glyn Johns. There’s not a trace of anything phony up top, down low or anywhere in-between. Records like this can easily get thick and muddy think of the typically dull Who’s Next or Sticky Fingers and you’ll know exactly what I mean.īut oh what a glorious sound it is when it’s working. It’s the sound we love here at Better Records, assuming the pressing in question still maintains some degree of presence, immediacy and transparency. ![]() Glyn Johns strikes again - this record is absolutely brimming with TUBEY MAGIC.
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